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Showing posts from December, 2025

HOW TO DODGE A CANNONBALL - Dennard Dayle

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 Anders is a teenage idealist who enlists to fight for the North in the war between the States. Somewhere, at the heart of it all, there's a Purpose for it all. A reason people want him to die for it. Right? His enlistment gets him a prime spot as a Union flag twirler - a respected position to announce to the enemy which army is advancing. 'Respected' that is, until he's captured. Still trying to understand just what he stands for and can only find 'staying alive' as a Purpose, Anders becomes a Confederate, willing to fight for his new army. But the Confederates also want him die, this time at Gettysburg. Nearly succeeding in dying, Anders steals the uniform off a Black Union soldier, he works his way to a Black Union unit, telling them he's an Octoroon, despite his very white appearance. This is when his life truly changes, as he befriends a Black playwright (who's writing odd, science fiction plays and creating a 'new' Black theatre), a Haitian...

BLACK KISS OMNIBUS - graphic novel

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Warning: This review addresses adult sexual and violent content.  Let me be very clear ... I knew NOTHING about this book, or the series of comics. I recognize Howard Chaykin's name as an artist with both DC and Marvel comics back in the 1970's (when I was a regular comic reader). The cover suggested an erotic series and I've read a couple of very good erotic-themed graphic novels in the past.  What I was not expecting was ... well ... this. This is full of raunchy sex, dark and kinky perversions, vampires, and lots and lots of blood. And don't get me wrong ... that's the good stuff! It's also got some raunchy sex, dark and kinky perversions, vampires, and lots and lots of blood that doesn't work so well. This is not going to be a popular opinion given how ardent some of author/artist Howard Chaykin's fans can be, but this didn't work for me. I need to note: when I downloaded my ARC from the publisher, it was not made me evident to me that my copy wa...

DON'T STOP - Alan Light

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I am not an ardent Fleetwood Mac fanatic. I have perhaps four of their albums, purchased between the mid-1970's and mid-80's and of course I listened to them on the radio back in those pre-internet days. And while they are someone I listened to, they definitely took a backseat to bands like the Beatles, the Eagles, ELO, Queen, Crosby, Stills, and Nash, and many many others. BUT ... when ranking my favorite albums of all time, Fleetwood Mac's Rumours is always in the top five, often my number one pick. Clearly I'm not the only person who really likes this album and author Alan Light (a senior writer to Rolling Stone magazine) examines the album, its ability to reach new audiences every generation, and why we seem to be constantly drawn to it. Light goes into some detail about the creation of the album. It seems to have been common knowledge to fans that the band was going through a lot of personal affairs and break-ups with each other and then writing songs about it, m...

SPACE SHIPS! RAY GUNS! MARTIAN OCTOPODS! - Richard Wolinsky, editor

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 Science fiction readers of a certain age (let's say 60 and older) are probably going to really enjoy this because the authors (and artists) interviewed are generally authors we grew up with (Theodore Sturgeon, Ray Bradbury, Robert Bloch, C.L. Moore, Philip K. Dick, Roger Zelazny, Kelly Freas, Anne McCaffrey, Frank Belknap Long, and many, many, many others), and they are talking about magazines and editors and publishers that, if we didn't read, we knew (or thought we knew) about them. There's plenty of dirt dished out - which editors paid well and on time, and which ones did not, how some got their start selling to one of the pulps, and how their stories got edited ... or how they didn't. I particularly enjoyed Frank M. Robinson's story about a time he'd been chatting with an editor of one science fiction magazine:  ...we talked over a story that he wanted me to write, and I went home and wrote the story. Realizing that they always changed the title, I didn’t b...

IF LOOKS COULD KILL - Julie Berry

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 It is 1888 and the world is on edge with reports of the brutal murders in the Whitechapel area of London and the still-at-large killer who's given the name Jack the Ripper. And for the man known as 'Jack' it isn't safe to spend too much time in London. He's already been pulled in for questioning by the police - along with a large handful of other men. Clearly the police are casting a wide net, hoping something will come of it, but it does motivate Jack to move on. New York, the Bowery. Tabitha is a Salvation Army girl. She preaches to anyone who listen about the Gospels, and talks a lot of The Ripper. Her roommate, Pearl, has also been a Salvation Army girl, but becomes a Medusa and leaves religion behind. Tabitha is convinced that Jack the Ripper is in New York, and she's not the only one. Investigators who have suspected the man have followed him to New York and let it slip so that all of New York believe The Ripper is living among them. What will happen when...